The board of directors will be meeting at Works/San Jose on August 14th, 2008 at ~6:00pm in the gallery. If you are interested in volunteering for pretty much anything at Works, please join us so we can chat with you about the volunteer opportunities we have.
The board of directors will be meeting at Works/San Jose on August 14th, 2008 at ~6:00pm in the gallery. If you are interested in volunteering for pretty much anything at Works, please join us so we can chat with you about the volunteer opportunities we have. Thanks! Hope to see you there.
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*VOLUNTEERING* volunteers are needed on the below dates: Art hanging – after work is received and layed out: day 1: July 28, hanging art day 2: July 29, hanging art day 3: July 30, hanging art and lighting the show Gallery prep/ cleanup: Thursday July 31 Gallery sitting/ hours: Friday August 1 : 3-5 volunteers for the opening August 1 to September 13: volunteers to keep the gallery open to the public.
Deliver your art to Works:
STARTING TODAY, thursday, july 24, 6 to 8pm
friday and saturday, july 25 and 26, noon to 4pm
Click through for a reminder of the show details.
Continue reading “2008 Members' Exhibit – call for art due this week”
“eXact-O” curator: jesse houlding artists: jesse houlding, marina shretenberg, charlene tan, annie vought on view in the main gallery august 2nd through september 22nd august 2nd at 6pm – artists/curator exhibition tour august 3rd at 7pm – free public reception there is a transformation that takes place that is central to our various practices.
on view now through september 22nd…
“eXact-O”
curator: jesse houlding
artists: jesse houlding, marina shretenberg, charlene tan, annie vought
on view in the main gallery august 2nd through september 22nd
august 2nd at 6pm – artists/curator exhibition tour
august 3rd at 7pm – free public reception
there is a transformation that takes place that is central to our various practices. the act of cutting alters the materials into something unexpected, revealing hidden qualities and creating new possibilities. it is an essentially reductive act, emphasizing the structure that remains at the end of the process. in this accumulation of marks, in the reduction of the whole, there is an inherent understanding of the process that is clear to the viewer; an acknowledgement of the concentration involved, the evidence of the artists’ hand that imbues the work with a significance that stands in contrast with the simplicity of the material.